Monday, August 5, 2024

OVERDUE REVIEW: VICENTE AVELLA - Physics Of Light

Physics of Light
Pandora's Boombox Records (2022)

 
Vicente Avella's Physics of Light is, to be blunt, a brilliant execution of the endless boundaries of solo piano music when composed and performed by an artist whose talent and ambition are seemingly as endless as said boundaries. Through sixteen tracks, Avella held me spellbound with a dizzying command of tempo, tone, mood, and style.  Yet, while I can't describe how he accomplished the level of cohesion and continuity within the album, that is also here in abundance. Now, I am not saying that a solo piano release that maintains a unified mood or sound cannot also be great and an artistic triumph, but Physics of Light is a rarity where the artist throws (relatively speaking) caution to the wind and plays his ass off across the widest possible spectrum and damn the torpedoes. Perhaps the key to why I enjoyed this album so much is that no matter the specific underpinnings of a piece (e.g. fast or slow, haunting or warm), Avella's humanity and, well, his humility shine through. He's never showing off, despite the brilliance of his technique. I get the distinct impression he is always playing straight from his heart (which, when one thinks about it, is contrasted by the intellectual nature of the album's theme, i.e., each track's title deals with light, a property of light, or a type of light).
 
"Light Particles" (track one) is a patient and somewhat somber sonic exploration while "Radiance" sparkles with frivolity and whimsical playfulness as it races here and there. Things get even deeper (psychologically speaking) on "Where Light and Shadow Meet" as a darker mood takes gentle control of the song. The refrain on the piece speaks of this melding of the two opposing light qualities. The song brushes furtively with both a sense of warmth and contentment and a sense of being in an unknown emotional state. "Ultraviolet" returns to a much gentler and affirming mood, romantic with a dose of nostalgia, a little like a serenade to family and friends. "Oscuro" is the piece that made me sit and go (in a Neo-esque fashion) "Whoa!" Here, a palpable feeling of darkness and dread looms large (albeit still within the framework of beautiful piano music). "Resistance" follows with an enticing blending of quasi-urgency and yet deep purposefulness. There is a semi "call and response" nature to Avella's use of upper and lower registers – freakin' brilliant to my ears.
 
I could go on, but I will leave the other ten remaining tracks for you to explore and enjoy on your own. Physics of Light is one of the most emotionally and intellectually satisfying piano recordings in more than a few years. It's a work of unparalleled ambition married to amazing talent.
 
ALBUM DETAILS
Music composed by Vicente Avella
All tracks composed, arranged, and produced by Vicente Avella
Album mastered by Dave Glasser at Airshow Mastering, Boulder, Colorado
Graphic design by Silvana Izquierdo
Art "Studies in Light" by Leo Morah
 
Vicente Avella: Piano
 
 

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