REVIEW: DAN KENNEDY - An Enchated Noel

DAN KENNEDY
An Enchanted Noel

Dan Kennedy’s solo piano holiday collection An Enchanted Noël is just the ticket for family gatherings, as it accentuates both the joy, fun, and celebratory nature of Christmas, as well as it’s more spiritual element. Some of the twelve selections (ten traditional carols and two originals) tone things down, while others are on the festive end of the scale.

“Angels We Have Heard On High,” which opens the album, illustrates my point. An at-times rousing rendition of the carol, Kennedy also injects some mild jazziness at times, which replaces the usual heavier gravitas of the song with some (much-needed, in my opinion), well, fun! “In the Bleak Midwinter,” however, gets the appropriate level of flowing somberness, and here Kennedy shows off his control of nuance and gentleness of tone/mood. It’s a terrific arrangement. “Carol of the Bells,” which I have heard on too many to count versions, marries both dark and light, the arrangement injecting some unexpected twists and turns, which add depth and a more pronounced feeling of emotion. His first of two originals follows. “For Those Not Here,” and, as might be inferred by its title, it’s a subdued piece that nonetheless has an air of peace and, later in the song, even hopefulness. For me, it fits in nicely with the abundance of holiday classics. One of favorite tracks, Kennedy’s take on “Have Yourself a Merry Little Christmas” evokes a gentle nostalgia, and again, he displays uncommon deftness on the ivories.

In the middle of the album sits a 6+ minute medley of traditional carols, and Kennedy handles the transitions between each one with ease, as if the individual selections were meant to be strung together (like Christmas tree lights!). Later, “Sussex Carol” gets a subtle jump-boogie treatment and, yes, it works and works marvelously (to my ears at least). After one more carol and the second original, Kennedy closes with a perfect ending, Irving Berlin’s “White Christmas” His arrangement is restrained, but still sincerely evocative of the beauty of the season (both internally and externally).  To be honest, you can’t go wrong with that Christmas-time staple, and Kennedy does justice to it, and then some.

One of the hallmarks of a great album, holiday or otherwise, is that as the last songs ends, the listener wishes there were more still to come. That’s how I felt at the end of An Enchanted Noël. Highly recommended, so download and/or stream it tonight and tomorrow.

 CREDITS
All music performed by Dan Kennedy
All songs traditional/public domain except “For Those Not Here” and “Of Snow and Stars.”
Album produced by Dan Kennedy
Mixing and Mastering by Bill Aheam.
Recorded at Tapeworks, Hartford, CT

 

 

REVIEW: CATHERINE MARIE CHARLTON - Simple Gifts: Solo Piano for the Holidays

CATHERINE MARIE CHARLTON
Simple Gifts: Solo Piano for the Holidays

 

Catherine Marie Charlton is not your “typical” solo pianist in the new age (or other associated genres), if there is such a thing. Her discography is segmented (on her website) into the following categories: jazz, ambient, classical crossover, relaxation, and solo piano. I have reviewed many of her releases and have always come away impressed with her unique approach to composing, improvising, and technical mastery of the instrument itself. Now, after a ten-year absence from releasing a solo album (her last collaboration with someone else was five years ago), Catherine Marie returns with a splendid, yet a true archetypical release (for her) holiday music collection, Simple Gifts (subtitle – Solo Piano for the Holidays). Before going into any detail, basically, if you have enjoyed her solo albums over the years, you will love this.

 

The relatively short recording features nine tracks: seven traditional carols, one holiday staple, and a twist selection, which is emblematic of Catherine Marie’s unique taste. Overall, the album is quiet, introspective, and subdued, with only a one or two brief forays into drama (most notably in her version of the “Ukrainian Bell Carol”). As a result, I’d imagine that this is a great late-night listen, when kids are all snuggled in the beds with those sugarplums prancing in the dreams. Because this is a reflective and quiet album, it requires a particularly skilled production team. Charlton herself produced it and she also lists herself as “Recording Engineer.” She does a flawless job. Mastering was handled by Phil Nicolo who perfectly captures the warmth and intimacy of Catherine Marie’s deft performance.

 

The first two tracks perfectly convey the special nature of Simple Gifts, i.e., songs carry enough of their signature melodies that one should easily hear it and say “Oh, that’s ‘Greensleeves.’” However, if one is a purist for whom any straying from the traditional melody of the classics (think Perry Como, Ray Conniff, or Nat King Cole), then be prepared for some imaginative arrangements (to say the least). This is where the more subdued nature of Charlton’s performance is complemented by the superb technical aspects of the recording. Her affinity for both jazz and minimalism is on display on more than a few selections, e.g., her take on the Vince Guaraldi classic “Christmas Time Is Here.”

 

Before closing, the “twist selection” is fitting if you have heard any of Charlton’s jazz albums. The Thelonious Monk bebop jazz standard “‘Round Midnight” drops as the second to last piece and by its very nature, it may seem like an odd choice for a Christmas/Holiday album. But the second time I listened to the album, and absorbed some of the other times jazz riffs which are dropped into a carol (e.g., the aforementioned “Ukrainian Bell Carol” and the middle of “Christmas Time Is Here”), while “‘Round Midnight” may sound out of character, I look at it as being thematic, i.e., the track is a semi-finale to the holiday itself, the end of the day of celebrating. Well, that’s my take on it…grain of salt and all that. 

Simple Gifts heralds a welcome return to solo albums by the incredibly talented pianist and I can only hope we won’t have to wait another ten years for the next one. Glad to have you back, Catherine Marie.

CREDITS

All songs traditional/ public domain except “Christmas Time Is Here” by Vince Guaraldi and Lee Mendelsohn
All piano arrangements by Catherine Marie Charlton
Produced and mixed by Catherine Marie Charlton
Mastered by Phil Nicolo
Art Direction by Catherine Marie Charlton
Artwork and Design by Charles G. Sheely
Catherine Marie Charlton is a Steinway Artist