Wind and Wire

Ambient, New Age, and Instrumental Music Reviews since 1997

Sunday, August 18, 2024

REVIEW: JOHN LYELL - Eternity II

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JOHN LYELL Eternity II (2024) One of the newer (relatively speaking) classic spacemusic artists on the scene, John Lyell, hasn't bee...
Monday, August 5, 2024

OVERDUE REVIEW: THIERRY DAVID - Slow Motion

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THIERRY DAVID Slow Motion K-Vox (2020)   Long-time readers of my reviews know that I have some…well, unusual takes about certain t...

OVERDUE REVIEW: VICENTE AVELLA - Physics Of Light

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VICENTE AVELLA Physics of Light Pandora's Boombox Records (2022)   Vicente Avella's Physics of Light is, to be blunt, a bri...

OVERDUE REVIEW: RICK ERLIEN - Moonlight Beach

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RICK ERLIEN Moonlight Beach (2022)   Rick Erlien’s Moonlight Beach epitomizes the best aspects of an EP release, i.e., leaving the...

REVIEW: TODD MOSBY - Land Of Enchantment

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TODD MOSBY Land of Enchantment Mosby Music Group (2023) I remember the first time I played Todd Mosby's newest album, Land of Enchan...

REVIEW: RUDY ADRIAN - Reflections On A Moonlit Lake

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RUDY ADRIAN Reflections on a Moonlit Lake Spotted Peccary (2024) My first exposure to Rudy Adrian's music was when he release...

REVIEW: MICHAEL WHALEN - Watercolor Sky

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MICHAEL WHALEN Watercolor Sky Michael Whalen Music   Collaborations and musical groups have been around almost since the earliest days of ...
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Bill Binkelman
Wind and Wire - A source for reviews of ambient, new age, world, electronic, and acoustic music since 1997.
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